Jazz CD Reviews – early July 2017

July 7, 2017

Kellye Gray Rendering (& Standards In Gray) (Grr8 0010)

Twenty-five years ago, Kellye Gray recorded her debut album, Standards In Gray, which proved to be very successful. Recently, she decided to re-record some of the same songs. These appear on Rendering, and an especially attractive aspect of this new release is that the earlier, long unavailable album is included in the package. That first album was recorded over three days, the new set is one concert-style take performed in the studio before a small invited audience. kellye newThe songs Kellye sings on both albums are Don’t Explain, How Long Has This Been Going On?, How Insensitive, and Good Morning, Heartache. There are subtle differences that reflect her artistic growth and this adds to the listening pleasure. Not that the first album is in any way less than excellent; here, Kellye sings the songs with understanding and her vocal command is apparent throughout. On the new set, Kellye’s voice remains rich and full while her interpretations mirror her maturity. Among other songs heard on the new set are I’ve Got A Right To Sing The Blues and two originals by Kellye, Out Blows Me and God You Make Me Wonder. Texas-born and mainly based, Kellye has a soulful vocal sound that is especially suited to the songs that have blues and gospel echoes. Supplying very good support on Standards In Gray are pianist Dave Catney, guitarist Dwight Stills, bassist Tom Anastacio,kellye old 2 drummer Sebastian Whittaker, and saxophonist Warren Sneed. Playing piano on Rendering are Pamela York, while David Craig is on bass, Andre Hayward on trombone, and both Sebastian and Warren return. Altogether, this pairing of albums is imaginative and hugely entertaining.

 

Hyeseon Hong Jazz Orchestra Ee-Ya-Gi (Stories) (Mama MAA 1053)

For the past several years, Hyeseon Hong has led a rehearsal band in New York City, a group that largely showcases her own compositions. These works draw upon the cultural heritage of Hyeseon’s homeland, South Korea, but are presented in the musical form of her new world. Titles for individual pieces include Harvest Dance: Story Of Thanksgiving, Para Mi Amigo Distante: Story Of Long Lost Friends, Boat Song: Story Of My Heritage, and Trash Digging Queen: Story Of Nica The Dog. The 17-piece ensemble directed by Hyeseon plays with bite and assurance, the melodic strains – lyrical, plaintive, lively – are underpinned by rhythms from Asia and the Americas. Among many solos (all of which are identified in the liner) are Ingrid Jensen’s fluid, warm trumpet on Harvest Dance and Love Song: Story Of First Love, Rich Perry’s compelling tenor saxophone on Boat Song, and Broc Hempel’s reflective piano on Disappearing Into Foam: Story Of Girlhood. The occasional vocal contributions, by E.J. Park and Subin Park, are mostly wordless and add to the album’s tonal palette.hyeseonhongjo.jpg Musically, this a blend of contemporary big band music and intriguingly unusual south-east Asian concepts. The full personnel of the band heard here is: Augie Haas, Ingrid Jensen, Jason Wiseman, Colin Brigstocke (trumpets); Ron Wilkens, Daniel Linden, Ric Becker, Becca Patterson (trombones); Ben Kono, Matt Vashlishan, Rich Perry, Jeremy Powell, Andrew Hadro (reeds); Broc Hempel (piano); Matt Panayides (guitar); John Lenis (bass); Mark Ferber (drums); E.J. Park, Subin Park (vocals). This should have wide appeal among fans of today’s jazz.

For more on these artists, including booking details, contact Mouthpiece Music.

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