Jazz CD reviews – late January 2017

January 30, 2017

Beata Pater Fire Dance (B&B Records BB 0421)

An earlier album by Beata Pater, Golden Lady (BB 0419), reviewed here, featured her singing a pleasing selection of well-known yet underused songs with just piano and bass accompaniment. On this new release, she sings a collection of wordless songs, all of them originals by Alex Danson, and for these she is joined by a seven-piece band.beata pater Rhythmically varied, the music touches on eastern Europe, the Middle East and north Africa, all cloaked in American concepts, including contemporary R&B and jazz/funk. Beata’s vocal sound, soft and intimate, draws the listener in and despite the absence of words succeeds in creating a warmly intimate and lyrical air. The nature of the songs heard here showcases Beata’s musical skill, honed though training as a violinist at Warsaw’s Music Academy, and also as a session singer in Japan. The singer’s accompanists here are saxophonists Sam Newsome, Anton Schwartz, Aaron Lington, keyboard player Scott Collard, bassist Aaron Germain, drummer Alan Hall, and percussionist Brian Rice. Adding immeasurably to the texture of these performances, use is made by Beata of multi-tracking, thus creating a highly effective vocal chorale. The absence of lyrics enhances the Beata’s role as a fully integrated member of the ensemble, her voice being used instrumentally. An attractive album that presents yet another aspect of this multi-faceted artist’s work.

Sidney Jacobs First Man (Baby Chubs Records)

After singing in church and touring internationally with the Albert McNeil Jubilee Singers, Sidney Jacobs performed operatic roles and also jazz. Family needs directed him toward a career outside music (he had mastered in Clinical Psychology and Educational Psychology) but music was an ever-present facet of his life. Writing numerous songs in a wide range of genres, Sidney continued to sing, eventually releasing his debut album, Been So Long, in 2013.sidneyjacobs2 On this, his second album, Sidney performs seven of his own songs as well as works by Sacha Distel, The Good Life, Bill Withers, Lonely Town Lonely Street, Richard Rodgers and Oscar Hammerstein II, My Favorite Things, James Taylor, Secret O’ Life, and others. Sidney’s accompaniment ranges from single instrument (Secret O’ Life with Josh Nelson, piano), duo (The Good Life with Nelson, piano and Zephyr Avalon, bass) to seven- and eight-piece groups. Collectively, these musical collaborators are Nolan Shaheed, trumpet, Wendell Kelly, trombone, Josh Johnson, alto saxophone, Michael Jarvey, piano & viola, Greg Poree, guitar, Zephyr Avalon, bass, Justin Thomas, vibraphone & marimba, Francesco Canas, violin, and Efa Etoroma Jr, drums, and on three tracks Sidney is also backed by vocalist Cathy Segal-Garcia. A strong, mature and distinctive voice enhances Sidney’s original compositions and his unusual and always interesting variations on familiar songs commands attention.

More information on Beata Pater and Sidney Jacobs (including albums and booking) can be found at Mouthpiece Music.

Nick Fizer Hear & Now (Outside In Music OiM 1701)

On this, his third album, trombonist Nick Fizer displays not only his exceptional instrumental skill but also his ability as a composer. All but one of the tracks are Nick’s compositions, and with them Nick seeks unity at a time of division (the exception is a fine interpretation of Duke Ellington’s Single Petal Of A Rose). Although division and strife knows no boundaries, the USA in particular is today divided despite its origins as a land of hope and freedom.finzer What the composer strives to find are ways in which introspective thought might supersede the shoot-from-the-hip approach so often suffered (sometimes quite literally). Given the album concept and the international mood it might be thought that this would result in gloomy music but that is not so. Yes, there are compositions that depict the dark side of life today but there are also optimistic works, suggesting that come what may there will one day be a time of unity in the world. Among Nick’s works heard here are We The People, Race To The Bottom, New Beginnings, and Love Wins. The other instrumentalists joining Nick are Lucas Pino, tenor saxophone and bass clarinet, Glenn Zaleski, piano, Alex Wintz, guitar, Dave Baron, bass, and Jimmy Macbride, drums.

More information on Nick Fizer, including albums and booking (as well as February and March nationwide tour dates) can be obtained from Braithwaite & Katz: Ann@bkmusicpr.com.

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