Jazz CD reviews – late October

October 25, 2016

Alyssa Allgood Out Of The Blue (Jeru Jazz JJR-5-CD)

Among the many new young vocalists who happily label themselves as ‘jazz singers’ are just a few who truly deserve the title. Unquestionably, Alyssa Allgood is one of these few. Based in Chicago, she has gained acclaim locally and has also attracted attention further afield while studying, then working with mentors including Jay Clayton and Madeline Eastman, and taking part in the 2015 Shure Montreaux Jazz Voice Competition.alyssa Alyssa’s love of jazz is immediately apparent from her choice of material, which includes Wayne Shorter’s Speak No Evil, Hank Mobley’s Watch Me Walk Away (Dig Dis), Sam Rivers’ Beatrice, Joe Chambers Mirrors (all with lyrics by Alyssa), Only A Memory (Ceora) by Lee Morgan and Milton Suggs, Joe Henderson’s If, Horace Silver’s Peace, the Bobby Timmons-Jon Hendricks classic, Moanin’, as well as Noticing The Moment (Moment’s Notice) by John Coltrane, Peter Eldridge and Kim Nazarian. As the album title makes clear, the material and its originators are associated with the classic Blue Note label and that company’s ethos lies at the heart of Alyssa’s work. Indeed, all of the instrumentalists heard here are with the label today. These collaborators are saxophonist Chris Madsen, organist Dan Chase, guitarist Tim Fitzgerald, and drummer Matt Plaskota. All play with skill and the mutual empathy is apparent throughout, in ensemble, supporting the singer, as well as soloing with flair. The arrangements, by Alyssa and Dan, are crafted to allow ample space for inventive vocal and instrumental solos. Alyssa’s singing voice is light and true, she is rhythmically assured and has a clear understanding of the intentions of the originators of the music. As is apparent, most of this music began as instrumental pieces and in some instances Alyssa’s vocals follow the original solo lines. Vocalese is a difficult art, as is scat singing, but Alyssa displays her accomplishment in these areas. Not that these forms of jazz singing are overused; rather, they are blended into a wholly satisfying display of jazz singing. Contemporary in presentation, the blues are never far away; a comment that might also apply to Blue Note Records. Alyssa Allgood is a name to look out for and to remember.

Matthew Kaminski Live At Churchill Grounds (Chicken Coup CCP 7026)

Playing Hammond B3 organ, here Matthew Kaminski leads his quartet through a live date, recorded over two nights in Atlanta. Rounding out the quartet are Will Scruggs, tenor saxophone, Rod Harris Jr, guitar, and Chris Burroughs, drums, all of them playing with the spirit heard in Hammond-led groups of the past.kaminski Also featured here is vocalist Kimberly Gordon, who sings on If I Had You, I Love Being Here With You and So Danco Samba. Mixed in with the standards are pop songs, such as the Beach Boys’ Sail On Sailor, and jazz pieces, like Jimmy Smith’s Midnight Special, Duke Ellington’s Just Squeeze Me and It Shouldn’t Happen To A Dream, on both of which Kimberly sings, and Lou Donaldson’s Hot Dog. And then there’s the almost inevitable April In Paris, which started out as a popular song but gravitated into the world of the jazz organist by way of Wild Bill Davis (not forgetting Count Basie), here given a long workout by all five musicians. Throughout this album, the spotlight is mainly on Matthew and his solos are always interesting. So too are those by Will, playing with drive on the swingers and with sensitivity on ballads. A fine example of Rod’s playing comes on Jack McDuff’s A Real Goodun, which closes the album. A very entertaining occasion that swings from start to finish and leaves the listener wanting more. Speaking of which, this is Matthew’s third jazz release, the others being Swingin’ and Taking My Time. A footnote for those with a sporting inclination: Matthew has played organ for eight seasons at the home of the Atlanta Braves and has also released an album in this style.

Rebecca Dumaine Happy Madness (Summit DCD 687)

Singing with obvious delight in the material, here Rebecca Dumaine presents a selection that draws mainly upon the music of earlier times. Among the songs are standards but there a few from more recent times, all of them given a fresh outlook yet their treatment shows her respect.dumaine The songs include Jimmy Van Heusen and Johnny Burke’s Like Someone In Love, Harry Warren and Mack Gordon’s The More I See You, Marvin Fisher’s Destination Moon, Jerome Kern and Johnny Mercer’s I’m Old Fashioned, Joe Bushkin and Joe Devries’s Nobody Else But Me and Cole Porter’s It’s All Right With Me, while the album takes its title from the song by Antonio Carlo Jobim and Vinicius de Moraes (with Gene Lees’ lyrics). Providing admirable support for Rebecca is the Dave Miller Trio, a longtime association. With Dave on piano are Perry Thoorsill, bass, and Bill Belasco, drums (Dave is Rebecca’s father). The trio is augmented on some tracks by guitarist Brad Beauthe and saxophonist Pete Cornell. Relaxed and happy music that is collectively a very pleasing set that will appeal to those who enjoy hearing good songs sung and played well by straightahead jazz performers who clearly admire this music. For details of an earlier album by Rebecca, The Consequence Of You, see my post in late-May 2015.

Joshua Breakstone 88 (Capri 74144-2)

Tributes paid by a jazz artist to others are by no means unusual, but this set from guitarist Joshua Breakstone takes an intriguing approach. One original by Joshua apart, the music heard here is written by jazz pianists and the fact that there is no pianist in the group means that an alternate view is taken of the music.joshua-88 Thus, aspects that might, perhaps, have been unobserved by the many fans of the composers concerned are revealed. Among the composer-pianists featured by Joshua are Cedar Walton, Black, Tadd Dameron, If You Could See Me Now, Lennie Tristano, Lennie’s Pennies, and Mal Waldron, Soul Eyes. Joshua’s collaborators here, collectively named The Cello Quartet, are cellist Mike Richmond, bassist Lisle Atkinson, and drummer Andy Watson. Although Joshua is the principal soloist, all make an important contribution and this is very much a collaborative venture. It is worth noting Joshua’s comment regarding the reason why he has chosen to perform pieces composed for (and at) the piano: “It’s merely the expression of one guitarist’s love and admiration for the instrument and those who happen to play the hell out of it and use it as a vehicle for composition.” Altogether, this a rewarding and entertaining album that will appeal to many.

Mili Bermejo & Dan Greenspan Arte del Duo (Ediciones Pentagrama APCD 707)

The music performed by this duo has an appealing freshness, which is, perhaps, surprising as singer Mili Bermejo and bassist Dan Greenspan have worked together for a quarter century.mili-bermejo Mili’s early years saw her move from Buenos Aires to Mexico City to Boston, where she has taught at Berklee College of Music since 1984; Dan started out in New Haven before moving to Boston where he became an in-demand session musician and more recently the couple have settled in New Hampshire. The music heard here ranges widely both stylistically and geographically with a handful of originals by Mili as well as songs by composers from Mexico, Armenia, Argentina, Uruguay and France. Melodically and rhythmically rich, this music is sung and played with emotional intensity and considerable technical expertise and will have widespread appeal.

Al Strong Love Strong Volume 1 (independent)

On his debut album, trumpeter Al Strong displays his technical skill and also his awareness of the paths taken by jazz in recent years. Although a relatively new name on the contemporary jazz scene, he plays with mature confidence.astrong Most of the music played here has been composed by Al and there is an emotional depth to the music, a quality not always present nowadays. There are also some well known themes, including Kenny Barron’s Voyage, Thelonious Monk’s Blue Monk and Rodgers and Hammerstein’s My Favorite Things. Joining Al here are several musicians, some of whom also take solos, forming groups of different sizes. Among them are saxophonists Bluford Thompson and James ‘Saxmo’ Gates, keyboard players Ryan Hanseler and Lovell Bradford, and drummers Jeremy ‘Bean’ Clemons and Iahji Hampden. Contemporary jazz, played with sensitivity and always displaying an awareness of what has gone before.

Richard Sussman The Evolution Suite (Zoho ZM 201614)

sussmanA five-movement suite drawing upon pianist-composer Richard Sussman’s wide and eclectic interest in contemporary improvised and classical music. This album is reviewed elsewhere.

For more on Alyssa Allgood, Matthew Kaminski, and Rebecca Dumaine contact Holly Cooper at Mouthpiece Music; for Mili Bermejo & Dan Greenspan and Joshua Breakstone contact Braithwaite & Katz (Ann@bkmusicpr.com); and for Al Strong and Richard Sussman go to Jim Eigo’s Jazz Promo Services site.

Albums by these artists are available at the usual outlets, including Amazon.

Jazz CD Reviews – mid-May 2015

May 15, 2015

The Cunninghams São Paulo Lights (NH 8416)

This fine album brings both sorrow and joy. The sorrow is because this is one of the last recordings made by Don and Alicia Cunningham before Alicia’s death in December 2014. The joy comes from the music as this exceptional vocal duo joins forces with the Elvaldo Soares Quartet during a 2012 visit to Brazil.Cunninghams+me The four instrumentalists, leading lights of the richly varied São Paulo music scene, are pianist Elvaldo Soares, guitarist Cesar Lopes, bassist Lito Robledo, and drummer Douglas Andrade. Experts in Brazil’s national music, they are also experienced jazzmen. Among the songs heard here are some from the Latin and the jazz repertoires as well as standards. They include Anos Dourados, by Antonio Carlos Jobim-Chico Buarque de Holanda, Peter & Paul, Eumir Deodato, Morning, Clare Fischer, Love Vibrations, Horace Silver, My Ship, Kurt Weill-Ira Gershwin, and More Than You Know, William Rose-Edward Eliscu-Vincent Youmans. From soulful ballads to breakneck bebop by way of rhythmic Braziliana, the vocal duo is center stage throughout with their contrasting sound and style blending superbly: Alicia’s coolly poised, Don’s urgently edgy. Adding to the rhythmic drive of the quartet, Don is heard playing conga drums on some tracks, while on the closing track, São Paulo Lights, Roberto Sion plays flute and reeds. Lively and hugely entertaining, this is one to savor. The album might take some finding but do try; it is well worth the effort and you will surely agree that the duo had earned the acronym SJVP by which they were known: Super Jazz Vocal Pair.

For more on The Cunninghams, see my article in the June 2015 issue of Jazz Journal.

 

Joshua Breakstone 2nd Avenue (Capri 74137-2)

Bringing new life not only to some familiar music but also to the concept of ‛chamber jazz’, guitarist Joshua Breakstone presents this new release. Subtitled The Return Of The Cello-Quartet, this admirable set features not only Joshua’s fleet and deceptively simple-sounding lines but also cellist Mike Richmond, bassist Lisle Atkinson, and drummer Andy Watson. joshua b All four musicians play with skill, ingenuity and are very much like-minded in their approach. This is collective music making where the overall concept takes precedence over individuals. That said, the solos by the individual members of the group are all highly effective and vividly display their improvisational abilities. Among the music heard here are standards, I Wish I Knew and The Lamp Is Low; and jazz works, among which are Dexter Gordon’s Evergreenish, Cannonball Adderley’s Home, and Lee Konitz’s Thingin’. There are also two originals, one each my Lisle and Joshua. As a fine example of the qualities of musicianship these four men bring to their work, the (doubtless surprising) inclusion of I’m An Old Cowhand should be heard. Melodically, this is embedded in the subconscious of many and to hear it revived and reinvigorated with such sparkling wit and eloquence is a real joy.

For more on Joshua Breakstone contact Braithwaite & Katz (Ann@bkmusicpr.com)

 

Michelle Lordi Drive (Creeper Music)

Michelle Lordi is a singer worth hearing again and again. She is a young woman, yet throughout this album displays maturity in the manner in which she presents songs, which are mostly standards. Among these songs are You’re My Thrill, Imagination, My Ship, I Fall In Love Too Easily and (I Don’t Stand) A Ghost Of A Chance.lordi A clear, distinctive vocal sound marks Michelle’s work and it is a delight to hear her display care and understanding of the intent of the composers and lyricists. Choosing to stay close to the original forms in which the songs were cast, she colors them with subtle touches of phrasing that make them fresh and appropriate for today. There is a sophisticated elegance in Michelle’s approach but not one that distances her, instead it makes the listener eager to draw closer to share the experience. Michelle is accompanied by pianist Tom Lawton (Orrin Evans on three tracks), tenor saxophonist Larry McKenna, bassist Madison Rast, and drummer Dan Monaghan.

For more on Michelle Lordi see her site and that of Jim Eigo.

 

David Berkman Old Friends And New Friends (Palmetto PM2177)

With this new release, pianist David Berkman also displays his skill as a composer. He is clearly a listener, demonstrating this by writing music that effectively showcases the individual talents of the musicians with whom he is working.david berkman This music ranges through intimate moods, of which Psalm is an example, through lively swinging pieces, Up Jump Ming, to exhilarating blues-ish romps, No Blues No Really No Blues. David’s gifts as a soloist are similarly evident, but here he is primarily a team player and quite a team it is. With David are bassist Linda Oh (a member of his current quartet), drummer Brian Blade, and saxophonists Dayna Stephens (also in his quartet), playing soprano & tenor, Billy Drewes, soprano & alto, and Adam Kolker, soprano, alto & tenor (the last named also playing clarinet and bass clarinet). Brian Blade has worked with David from time to time over the years although not as often as both might have liked, given their separately busy schedules as bandleaders. Nevertheless, their musical affinity is evident throughout this fine set and Brian’s subtly understated propulsion is a highlight. Contemporary music-making of a very high order that will delight existing fans and should attract many newcomers.

For more on David Berkman contact Braithwaite & Katz (Ann@bkmusicpr.com)

 

Roger Davidson Live At Caffè Vivaldi Volume 2 (Soundbrush SR 4002)
This second volume of music recorded at Caffè Vivaldi by Roger Davidson presents a set of his own compositions (there is one piece by Jobim). Released on
Soundbrush (Roger’s own label), it is filled with delights.roger v2 Although an eclectic musician, Roger has a very special affinity with the music of Brazil and this is vividly demonstrated here as he and his trio dance through the timeless rhythms of that land. On the first volume recorded at this venue, Roger played duets with bassist Pablo Aslan who is here again for three tracks, the rest of the set having bassist David Finck, with drummer Adriano Santos underpinning the music with an infectious beat. Over the years the musical links between Brazil and jazz have become ever stronger and Roger Davidson can take much credit for the part he has played and continues to play in this meeting of musical minds.

For more on the first set, see my February 2015 post, while more on Roger can be found at Jim Eigo‘s site.

Perry Beekman S’Wonderful (own label)

For this new set of standards, singer-guitarist Perry Beekman is again joined by his regular musical companions, pianist Peter Tomlinson and bassist Lou Pappas. On their previous set, reviewed in April 2014, the trio played the music of Rodgers and Hart while here it is the work of George and Ira Gershwin on which they focus their respectful attention. George was deeply influenced by jazz in the 1920s and 1930s, and this is reflected in his compositions and correspondingly his themes were immediately picked up by musicians of the day and in every succeeding decade.perry Here, Perry’s arrangements retain the melodic delights of the songs, while allowing moments for improvised solos. George’s brother, Ira, also responded to contemporary trends in popular music and his lyrics display wit, ingenuity, poetic charm and wistful longing. Heard here are many of the Gershwins’ timeless wonders, among them Fascinating Rhythm, I Got Rhythm, How Long Has This Been Going On?, I’ve Got A Crush On You, and Someone To Watch Over Me.

For more on Perry Beekman see his site.

Most of these albums are available at Amazon.

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